This song is named after a now-extinct species of fish that lived in only two hot springs in the Mojave desert. I haven’t figured out the connection quite yet, but this song certainly makes me want to float along in a warm pool of water. Here’s hoping Vilde’s tender music doesn’t go extinct anytime soon.
Alexander F is a music nerd’s wet dream. Led by Alex Toth of Rubblebucket, the project’s self-titled album features members of Perfect Pussy, Here We Go Magic, Celestial Shore, and Skaters, was co-produced by Delicate Steve, and mixed by John Congleton and Claudius Mittendorfer. This track’s features none other than Kimbra, who adds another spectrum in an already technicolor burst of art-rock energy. Embrace the mania in “Call Me Pretty” and its bonkers music video below.
With a disco groove that Giorgio himself would approve of, FISHING dials in the bliss on the dancefloor-ready “Yuwa”. Little known fact: if you pay close attention while playing to this song, you will naturally be drawn to the nearest disco ball.
“Giselle Pt.1” comes from the soundtrack of More Than T, a film focused on the lives of seven transgendered and gender nonconforming people. Even without the visual component it was composed for, “Gizelle Pt.1” is grand, sweeping, and full of hope. Just what I would expect from TBE faves Wildlife Control.
More Than T premieres on Showtime this Friday 6/23 at 7pm ET/PT. You can listen to the rest of the soundtrack below:
Much like the botanical namesake, the latest from Melis is a lovely thing with delicacy that belies an inner strength that comes to the forefront in the final chorus.
“don’t stop now
it’s just a bump in the road with distance to go
so just don’t think about it”
If my math is right, Taj Ralph is 16 years old, and he’s already got more pop-savvy than the vast majority of soundcloud’s bottomless well of vocalists. Get your cool points by becoming a die-hard now.
Despite what you might initially think, my feeling is this is a track best enjoyed in the late afternoon on a porch, ice cold drink in hand, a long day’s work completed and nothing on the agenda but to relax and see what the day. True to its improvisationally-focused spoken sample, it’s time to go with the flow, whether that means stretching out in a hammock or hitting the town with friends. But first, I’ll just hit ‘repeat’ one more time…
HUMANS don’t care whether you’re a devout acid house ‘head or you don’t know the difference between an 808 and a 303 – you’re gonna move your feet to “Boys & Girls”. If you’re running low on dance moves, feel free to cop a few from the characters in the 360 VR music video below – don’t worry, we won’t tell.
Sometimes you get a collaboration that you didn’t even know you could dream for. Producer extraordinaire Golden Vessel teams up with Elkkle and the razor-sharp Mallrat on a song about longing, the shifting nature of friendships and relationships, and tangled webs of feelings. It’s remarkable how much this small team accomplishes over the course of three-and-a-half minutes, from the percussive workouts and subtle synth programming to Mallrat’s impressive wordplay that manages to stay honest and relatable. All of it’s anchored by the main vocal, who knows what the object of his affection needs but doesn’t know how to give it to her. Remarkably mature and well-executed, this one’s worth any heartache it might bring to the surface.
Get more Mallrat with “For Real” on VINYL MOON Volume 014: From The Window.
Dive into Golden Vessel with “Can’t Stay (ft. Abraham Tilbury)” on VINYL MOON Volume 012: Still. Life.
Just when I thought I had this track figured out, a can’t-keep-this-groove-to-myself synth bassline comes in, and suddenly I’m waving my head around and signing along with Bear Worship’s one-man choir. Take it in as your pleasant surprise for the day.
Alessandra’s voice is one of those that makes you stop and pay attention immediately. The production is clean and tight, but it’s all in service of those pipes – trust me, you’re gonna want to buckle up for that 3:00 mark.
I’m not sure what’s in the water in Cape Town, but it seems to have some very real side-effects of awesome basslines, dreamy vocals, and really cool synth programming. Lapré seems to have contracted all of these symptoms, but if anyone even thinks of sending them to the doctor’s, I’ll be very upset.
Drift away with their newest track “I Am Only Trying”
Effective protest songs have to also be great songs on their own, and Sam Frankl’s latest is definitely that. Written about the gentrification of his London neighborhood, “Gold Rush” gives you a beat to march to, whether that cause is social justice or merely getting to work on time.
Rarely do you hear a song leap from afrobeat to indie folk to jangly garage rock in its first minute alone, but Psymon Spine have them all on display with “Lines and Lines and Lines End”. What’s more, it all comes back together in the sing-along breakdown before one last technicolor, mosh-worthy chorus. Roll down your windows and crank the volume for this one.
With juuuuuust the right amount of noise-freakout and tense darkness, School of X gets foreboding with “Words”. Perfect for murky walks home when you’re feeling a little not-so-nice. Go with the flow and get down with your bad self.