Feel that bassline! Hell yeah. This song is sidewalk swagger for the indie set. Stricken City hail from London and “Pull The House Down” is from their debut LP, Songs About People I Know. The album is out now as a combo CD/DVD, packaged with experimental films the band shot on VHS/Super 8. The album art, however, is not an archival photo of Native Americans from an alternate universe but is, in fact, lead singer Rebekah Raa. Yes, that mobile hair party is owned by the band. If it shows up at their live gigs then they have got themselves a show.
https://www.theburningear.com/media/2009/10/stricken_city-songs_about_people_i_know.jpg364374Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-27 10:49:312009-10-27 10:53:44STRICKEN CITY PULL my hips as I leave THE HOUSE and head DOWN the street
This song will never cease to be epic. Although I discovered this jam on the same Punk-O-Rama 2 compilation that turned me on to Millencolin I just never got into NOFX at the time. Years later I got this album, and a few others, but NOFX just never lived up to my love for “Didi” (brilliant lyrics here). It is a pretty fantastic album cover and the alternately titled vinyl version is not to be ignored either. Yikes. In other news, NOFX’s frontman, Fat Mike, runs the label Fat Wreck Chords, who just promised that all their albums will sell for under $10, and most under $8. NOFX’s 2009 LP, Coaster, was the first under the very cool and smart new pricing policy (which you can read more about here).
Kings Of Convenience’s new album, Declaration Of Dependence, is the perfect album for chilly Sundays. It’s light, tender, and intimate; perfect for nursing your body back to reality after a Saturday’s worth of BAC-alteration. I first fell in love with Kings’ 2002 groovy remix album, Versus, which set me up for some disappointment when I discovered how sparse and mellow their music really is. Except for “I’d Rather Dance With You,” I never got into 2004’s Riot On An Empty Street, and sort of wrote Kings off as too downer for my tastes. In recent years I have fallen much harder for Erlend Ã˜ye’s dancey, full-band, side project, The Whitest Boy Alive, and that pleased me just fine. Then I heard the Declaration and got down with it. Sure, it was the bouncy “Boat Behind” (above) that sucked me in, but the rest of the super sparse (two voices, two guitars, and the occasional string instrument) album has found a home in my ears. Pitchfork has some more to say on the album’s themes and genesis, etc, but if you are like me you just want to sit back with some hot tea and soak in the music.
https://www.theburningear.com/media/2009/10/KOC-DOD.jpg452452Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-25 15:38:312010-01-06 14:42:02KINGS OF CONVENIENCE make music for a quiet BOAT ride. I can get BEHIND that.
The lyric above is also the name of The Prairie Cartel’s debut LP. It’s also a question I have been asking myself as I settle back into Warsaw. Anyway, you guys can appreciate the industrial-pop jam and I’ll appreciate the deeper meanings, cool? It’s Saturday night and this is just the kind of step-popper that gets me bouncing out the door and into the evening. Although The Prairie Cartel hail from Chicago, I’m not sure if that is the specific “Cracktown” of this song. If so, then Chi-Town is having more than it’s fair share of problems this year. Although, I am hearing references to places in LA and NYC so maybe this track need to be filed in one of those mixtapes. I’ll tell you what I do know, The Prairie Cartel aren’t trying to skimp on their product. Where Did All My People Go, which dropped last week, runs 15 tracks and clocks in at a CD-R-saturating 78:30. I don’t know if the whole album is solid but I am digging the other jam I have heard. Grab album closer “The Glow Is Gone” â€“ along with some apt NIN, The Faint, and LCD Soundsystem comparisons â€“ over at RCRDâ€¢LBL.
https://www.theburningear.com/media/2009/10/Prairie-Cartel.jpg600600Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-24 19:58:562009-10-24 19:58:56THE PRAIRIE CARTEL don't want to party alone in CRACKTOWN
Anyone who has ever read Pitchfork knows that haters are no fun (except when they are), but the truth is that even a sunshine-blinded optimists like myself struggles with hateration. It’s this struggle that has taken me so damn long to post about the charming, silly, upbeat, and pretty darn good debut album by fun. (yes, lowercase and yes, with the period). fun. front-man Nate Ruess was one half of The Format, a mid-00’s power duo with 2 fantastic LPs and a legion of fans who were bummed to hear that they broke up in early 2008. When I heard the first few tracks from Nate’s new project, fun., I just couldn’t get into it. I mean, first of all that’s just a stupid name. Just go ahead and name yourself Good Music and let me forget about making my own opinions (Oh wait, Kanye already did that…). But after months returning to the album in search of a spark I finally found two songs I liked enough to write about.
Then the really funny thing happened. As I listen to the album right now, writing this, I am enjoying it more than I ever have. It’s like the instant I got over myself and my nostalgia for The Format I was able to really get into the music and enjoy it for what it is. It’s not The Format but that’s OK, it’s great even. Because somehow I feel like Aim And Ignite might even end up on my best albums of 2009 list and that is really weird, considering. So if you are feeling these two jams, or were ever into The Format, I recommend you get over yourself too and give your time (and yes, money) to these 10 tracks. I refuse to fall into the easy pun here so let me just say that fun. really is… entertaining, amusing, diverting, pleasurable, pleasing, agreeable, and interesting.
https://www.theburningear.com/media/2009/10/fun-pretty-girls.jpg600600Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-24 18:07:502009-10-24 18:07:50FUN. know ALL too well that THE PRETTY GIRLS are often less-so without BARLIGHTS
Some of you might remember Sean Bones from his April appearance on TBE with “Easy Street.” Well his debut LP, RINGS, dropped in July and I have been chilling with it ever since. I guess it is most easily categorized as reggae music but the minimal spliff references and lack of Jah Rastafari shout-outs threw me off. For me, RINGS is simply the perfect album for when you want to chill but you don’t want to be put to sleep. Each track has enough bounce to keep your attention, but not so much as to demand it. I am a big sucker for instantly addictive songs, so it took a while for RINGS to wrap around me. Now, each time I listen I find a new favorite track. I am fully sold on its awesomeness and am able to simply bask in it’s reggae/two-tone simplicity. I feel like my stereotypical views towards Reggae have probably kept me from a lot of gems out there. Anyone want to enlighten a dude?
https://www.theburningear.com/media/2009/10/Sean_Bones_Rings.jpg415415Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-23 17:48:022009-10-25 19:25:03SEAN BONES and I just got back from the DANCEHALL
After becoming mildly obsessed with Stick N’ Stones, the first single off of Jamie T’s sophomore album, I was a little scared to be let down by the rest of Kings and Queens. Luckily for the whole damned world Jamie T did not disappoint, delivering such a fantastically varied and solid album that I still grin while listening to it. It doesn’t hurt that Jamie is one of the sharpest lyricists out there, slicing words over beats as a perfect double whammy. I don’t really know what else to say except that you should get this album. If you dig the punked-up Stick N’ Stones, the bouncy “Chaka Demus” (above) or the arm-over-shoulder bro-jam “The Man’s Machine” then you will love Kings & Queens right off the bat. If those songs haven’t spoken to you then you need to buy it anyway and just listen to it until you come to your senses.
https://www.theburningear.com/media/2009/10/kingsqueens-jamiet.jpg480480Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-22 19:33:002009-10-22 19:33:30JAMIE T presents CHAKA DEMUS. It's just the name of THE MAN'S latest single, a MACHINE of a jam.
I have been digging on this track by The Silent Years for a while now but the title and creepo album art always gave me pause. Well I finally got over that shit and checked out their MySpaceÂ Their other tunes don’t have as many exciting “da da da da da da”s but they are pretty darn good, with a bit of that magical Freelance Whales twinkle in them. “Taking Drugs At The Amusement Park” came on shuffle today while I was in the shower and it instantly boosted my mood 2 notches. Belting out that “Heeeeeeeyyyyyy!” at 2:42 will do that to ya. It’s that perfect kind of upbeat song that regular TBE readers will know I’m all about. They have a couple LPs under their belts but their most recent, the 6-track Let Go EP, is out now.
https://www.theburningear.com/media/2009/10/silent-years.jpg600600Brandonhttps://www.theburningear.com/media/2015/03/TBE-Header-Logo-2015-stack1.pngBrandon2009-10-22 18:55:532009-10-25 12:09:06THE SILENT YEARS may or may not be TAKING DRUGS but their music is as fun as being AT THE AMUSEMENT PARK
Here are some interesting links for you! Enjoy your stay :)